I SHOULD like to begin my discussion of the criticism of modern African literature by making a very general observation about the kind of distinction we tend to make between what we call traditional African literature, and modern African literature; a distinction which is probably useful in the sense that traditional African literature is something [...]
Being the concluding part of the exegesis on Achebe’s portrayal of women in his fictional works, written by Rose Ure Mezu, who teaches francophone and anglophone literature and theory at Baltimore Morgan State University, and the author of Songs of the Hearth.
The last edition of this article was published in The Post Express of Saturday [...]